Sun Angels started out as a modest M&A and corporate trance advisory firm, but has since grown into a global leader in the euphoric house market. ‘Butterflies and Thunderbolts: Sun Angels Outtakes 2010-13” chronicles this journey, encompassing all flavours and phases of the Sun Angels experience.
'Crying Without Wings' is the third and concluding chapter to Sun Angels' EP trilogy, which started with 'I'm Crying Everyone's Tears' (2011) and was preceded by 'S4TEP' (2012).
Where the former dealt with global deleveraging and dance music respectively, ‘CWW’ is about the supposed bursting of the ‘EDM’ bubble.
As the American infatuation with dance music culture has risen towards fever-pitch, so has concerns about the scene’s integrity and sustainability. By lovingly ransacking house music history - throwing in baltimore club breaks, bouncy 808s, samples of evergreens, euphoric riffs and sweeping strings - ‘Crying Without Wings’ acts as a reminder that although dance music has a long history of commercial boom and bust, it is essentially impervious to artistic bankruptcy.
The ‘EDM’ market may well crash, but dance music will remain, forever ready to catch you when you fall.
1. Cry (feat. Laura Clock & o F F Love)*
"We, the undersigned, would like the Obama administration to recognize the need for a new national anthem, one that even a decade after its creation, is still hot and fresh out the kitchen. America has changed since Francis Scott Key penned our current anthem in 1814. Since then, we have realized that after the show, it’s the afterparty, and that after the party, it’s the hotel lobby, and—perhaps most importantly—that ‘round about four, you’ve got to clear the lobby, at which point it’s strongly recommended that you take it to the room and freak somebody. President Obama: we ask you to recognize the evolution of this beautiful country and give us an anthem that better suits the glorious nation we have become."
Swedish House Mafia - Don’t You Worry Child (Peter Rauhofer Big Room Mix)
just discovered peter rauhofers soundcloud, packed with luxurious big room rmxs of well chosen hits. (soundcloud)
I spent my formative years at Fire in Vauxhall, and it was these types of remixes that got me into producing; the sound of total abandon and euphoria, the melodic breakdowns and the chugging beats - this is the contemporary gospel you need to support.
We are currently looking for a new vocalist - if you or anyone you know can sing like an angel, wants to make sparkly bubble gum house music, and can record decent vocals in the comfort of their own studio, then give us a shout at SUNANGELS AT HUSHMAIL DOT COM